3 - 28 June 2009  
          Théâtre  de Poche  
Aurélien Froment 
            Opening preview: Tuesday 2 June 2009, 5.30pm 
            Invoking the illusory potential of images and investigating  the way languages, be they visual, linguistic or symbolic, articulate relations  among things, Théâtre de Poche presents its audience with the increasingly enigmatic figure of a magician  who proceeds to conjure a series of images into the air.  
            Explicating a cyclical tale, this playful meditation by the French-born, Dublin-based artist Aurélien  Froment sees stills from cinema history slowly shuffled and hieroglyphs nestle  alongside natural wonders, challenging notions of the arrangement and  precedence of images and all that they evoke. 
            When considered in translation, ‘Pocket Theatre’ also  prepares its audience for an act of simple but effective entertainment and  ultimately references the fabled figure of Arthur Lloyd, the ‘Human Card Index’,  who could produce almost any kind of printed item from one of his pockets on  request. 
            Situating itself knowingly as a partial and subjective take on the  all-pervasiveness of contemporary visual culture Théâtre de Poche investigates the production of both image- and object-relations and the  discursive meanings that such relationships inevitably disclose. 
            Articulating the tension, and playing with the  proximity, between signifier and signified within the system of signs in flux  within, Théâtre de Poche confabulates cinematic fragments, relics  and discursive tropes with sentience and mystique.  
            Aurélien  Froment (b. 1976) is a multidisciplinary visual artist. Since graduating from  the fine arts academy of Nantes, France, he has been working with  different media such as film, sculpture and photography on a variety of  projects that have taken the shape of installations, scale models and mass  produced items. 
            Works  by Froment have been shown at, among others, the Palais de Tokyo, Paris; Kunsthalle  Basel, Switzerland; Project Arts Centre, Dublin; Tate Britain, London; the Nam  June Paik Centre in Seoul; and STUK, Leuven. He is also currently preparing a series of solo  presentations at Montehermoso, Vitoria; the Irish Museum  of Modern Art, Dublin; Gasworks, London and the CCA  Wattis Institute for Contemporary Arts, San Francisco.  
            Installation images by Mark Gore 
             
	      
	       	        
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