19 August - 13
September 2003
AudibleNew Frontiers
The Physics Room and National Radio’s ‘revolutions
per minute’ show have joined with curator Sally McIntyre
to bring six of New Zealand’s emerging and acclaimed audio
artists into the physical space of the gallery and headspace of
radio broadcast.
New audio works have been developed for the project by six artists:
Philharmonic / Richard Francis / John McCallum /
R a d i o q u
a l i a / Rachel Shearer / Wendyhouse.
Each sound work is installed in the gallery space (with individual
listening posts designed and manufactured by Valentin Tinc Design)
and broadcast in a 3 week series of ‘revolutions
per minute’ (National
Radio, Sunday’s at 3pm) beginning on Sunday 17th August.
A CD catalogue of the project is also available, featuring each
of the six artworks and contextual essay by curator Sally McIntyre.
Phil Dadson is an intermedia-sound artist & founder
of New Zealand's most original rhythm/performance group, From Scratch,
known internationally for it’s funky rhythms & quirky
performances on original instruments. His solo performances and
exhibitions include sound & intermedia performances, installations,
music compositions, graphic scores, video & short film, sound
sculptures, radiophonic works and improvisations on his instruments.
Exhibiting and recording in this project as Philharmonic, Dadson
has recorded himself in the acoustic spaces of the airports he
passed through on a recent solo tour through Europe and Japan - Los
Angeles, Frankfurt, Vienna, Prague, Tokyo, Osaka & Auckland.
The edited result is an extended vocal solo, with duets and chorus
courtesy of airport staff and fellow travellers.
Download sample: MP3
~ Real Audio
Richard Francis has been involved with experimental music since
1996 when he began his first solo excursions (combining tape looped
instrumentation with field recordings) and played in a guitar improvisation
group called Small Blue Torch. Since then he has developed his
audio work using manipulation techniques with a concentration on
electroacoustic and concrete collection and manipulation of field
audio material. Using contact and stereo microphones, Francis gathers
field audio material, and using the subtle elements of these recordings
(quiet electrical hums and crackle, amplified ambient near silences,
minute occurrences) carefully abstracts and arranges them into
texturally detailed, engaging compositions.
Download sample: MP3
~ Real Audio
John McCallum is a Lyttleton based audio artist who is also a
member of the collaborative group Audiovandals. His contribution
to Audible New Frontiers is ‘Tony’s Tapes’, a
piece bringing together McCallum’s own field recordings and
synthetic concoctions, with extracts from a collection of family
tapes passed down to the artist from his late father-in-law, Anthony
Thorpe. The tapes used in this work provide a sound document of
one man’s family, spriritual and musical interests through
the 1960s and ’70s. After emigrating from the UK, Anthony
like many others at that time, exchanged tapes through the post
with his family. ‘Tony’s Tapes’ is an experiment
by McCallum to fit two contrasting tastes and soundworlds together.
Download sample: MP3
~ Real Audio
R A D I Q U A L I A was founded in 1998 by New Zealand artists
Honor Harger and Adam Hyde who established www.radioqualia.net
as an online electronic portal into the eccentricities of antipodean
radio space. Now based internationally, R A D I Q U A L I A projects
have included developing software and hardware, presenting exhibitions
and live performances and explorations of the concept of radio
broadcasting through projects online, radio and television.
Download sample: MP3 ~ Real
Audio
Rachel Shearer makes music under the moniker of Lovely Midget
and also works as a sound editor/designer in post-production audio
as Lovely Sound or Rachel Shearer. In creating her own music, Shearer
pursues texture, stripping back sounds to their ‘musical
chassis’ then reconstructing or reassembling to different
ends. As an editor/designer Shearer strives to complement visuals
with ‘real’ (at times surreal) aural environments.
Poltergeist, her piece for this project, is a combination of the
two practices. Music meets short film with no pictures. Poltergeist
creates an environment to be in - an exaggerated atmosphere
or supernatural improvisation.
Download sample: MP3 ~ Real Audio
Wendyhouse core members Daniel Powell (based in London) and Bryce
Galloway (Wellington) have collaborated across Northern and Southern
Hemispheres respectively to create a piece for your ears on either
side of your orb-like head. The pair worked in geographical isolation,
responding only to the predetermined title ‘Skull and Crossphones’ and
a running time of 15 minutes. The results have been mixed into
the left and right channels of a stereo master without any post-production
tampering. Thus the result is pure chance collision of individual
responses. The piece continues Wendyhouse experimentation in the
area of postal (that's "snail mail") recording that employs
chance as a major compositional device. Listeners to this track
are invited to create their own mix and explore the qualities of
the separate channels by adjusting the balance control on their
stereo.
Download sample: MP3 ~
Real Audio
The first radio broadcast on revolutions
per minute began 3pm
Sunday 17th August.
The exhibition opened Tuesday 19th August, with a live performance
by John McCallum.
The CD
catalogue is available for sale through The Physics Room
now (NZ$20).
Order your copy today from The
Physics Room !
View order form
Visit the Sounz site for
more NZ
electro/acoustic composers
Reviews, Essays & Articles Up the Arts
Canta, # 20, 2003
Roger Schulbeuys
Reviews Audible: New Frontiers
Audible: New Frontiers
Essay by Susan Ballard
in The Physics Room Annual 2003
ISBN: 0-9582359-7-X
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