Raw Fishes
Jeanine Clarkin
Alicia Courtney
Dusky Maiden
Estelle Mueller
Pacific Sisters
Francis Palu
John Pule
September 5 - October 5 1998
Sofia Tekela, a.k.a Dusky Maiden, and former member of The Pacific
Sisters, was the instigator and curator of Raw Fishes. Subtitled
Urban Body Adornment, Raw Fishes provides the gallery going public
with a unique blend of traditional Polynesian crafts and practical,
funky streetwear. The central premise of this show is to say it
loud and proud; state who you are through what you wear.
On display on mannequins were four different interpretations on
the theme of wearable art with an Island flavour. Dusky Maiden provided
two archetypal warrior woman outfits, one comprised of cowrie shells
seeds and one of tiny disks of coconut. The effect was fearsome
and lovely at the same time, creating the space for Polynesian women
to be staunch. This kind of couture, hinting at tribal warfare,
was in marked contrast to the Dusky Tees, which were laid back colourful
dayware for all the family (white men lapped these up). The T Shirts
depicted Polynesian babes purloined from the album covers of Island-style
records that have been so popular over the years. Captured like
so many butterflies, these women's faces have been mass-produced
as saucy promotional material for mood music. Tekela, as the Dusky
Maiden extraordinaire, librates a bevvy of Pacific beauties from
the bargain bin of the fleamarket and gives them another lease of
life. Rather than mourning the album covers for being 'exploitative'
of women like herself in the past, Tekela celebrates their beauty
and their savvy. If you've got it, flaunt it.
One artist who is working in a more traditional mode to stunning
effect is Alicia Courtney. The group of necklaces on display in
Raw Fishes was called the Faith Series in response to a painting
on tapa cloth by Frances Palu called Believe, Trust, Pray. Combining
materials as diverse as shark spines, silky rooster feathers, Solomon
Island beads and pounamu, each necklace seems simultaneously historical
and very contemporary. Each work is unique, with its own personality
and commanding presence, commanding an equally strong presence from
the wearer.
Likewise Estelle Mueller came up with an unusual and highly skilled
answer to the contemporary/traditional dichotomy. Using lacebark,
a material not unlike fine tapa cloth, Mueller has made delicate
rosettes. Normally, these handmade flowers would constitute a lei,
but Mueller has gone one step further and fashioned an entire bodice
of these floral motifs in deep ochre. It's a ravishing piece which
would look just as at home on the buxom barmaid of a wild west saloon,
as it would on a dusky maiden under a palm tree in the Pacific.
Jeanine Clarkin's offering was perhaps the most practical (apart
from the Dusky Tees). In transluscent stretch materials, she made
a three piece outfit which hinted at the traditional Maori woven
skirt, in a comfortable, throwover contemporary version. The material
in its soft mauve shot through with sea shades, bore closest resemblance
to a paua shell, and this was admirably set of by a Dusky Maiden
mother of pearl necklace.
What really animated the show and gave it depth and background,
was the inclusion of a video by The Pacific Sisters. The video showed
footage of the performance troupe as they played in venues throughout
New Zealand and Samoa. Combining fresh Pasifika fashions with contemporary
theatre, the Pacific Sisters' genre is an indefinable mix of energies.
This video, which lasts for two hours, is full of footage of island
life, from formal speeches to hat-weaving and making palusami. Also
on display are stunning appearances by different dance troupes from
Papua New Guinea and the Solomon Islands. In Christchurch, this
kind of multicultural offering is a rarity, and a much needed injection
of sunshine and colour. Raw Fishes whetted the Cantabrian appetite
for Pacific flavour. John Pule helped to get everyone in the mood
by reading his steamy love poetry to a video backdrop of a litany
of duskies, each one more beautiful than the last. For a brief moment,
Raw Fishes brought Paradise Hawaiian Style to The Arts Centre of
Christchurch.
Reviews, Essays & Articles
Caught from Pacific tradition
The Press, 1998 Sept. 30, p. 16
Venning, Esther.
Raw Fishes: Urban Body Adornment.
|