Siphon
Joyce Hinterding
September 1997
Joyce Hinterding's Siphon is an Electro-acoustic installation
work. This work explores an eighteenth century idea about the storage
of electricity in insulated containers (Leyden jars ) and the analogies
we use to understand electricity (primarily the water analogy).
In this work 100 glass jars are wired into an electronic circuit
so that in effect the entire room replaces a single component in
the circuit. The artist describes this as a "delirious technology".
The circuit designed for this allows people to experience the filling
and emptying of the jars as both a clearly audible experience and
a more subtle sensory one.
Siphon folds back on itself in many ways as it is primarily
an experience open to interpretation. We are confronted with a rupture
as the man-made is experienced as phenomenological event. Electricity
is the raw material and the event seems to be one that might reveal
the nature of electricity. Here, the misreadings and misunderstandings
are what make the work, for we are confronted with our imaginative
interpretations of one of the most basic components of modern life
and our inability at deciphering any definitive rationale on nature
itself. The sound is reproduced by large electromagnetic transducers;
speaker magnets and voice coils that are in direct contact with
the floor, and thus the floor becomes a part of the speaker system.
The sounds produced by this system are quite low level and reflect
the sounds of the system present in the room - a 50 htz mains hum
- pink noise. This is the sound characteristic of solid state electronics,
a sound created by electrons crashing into atoms as they move through
solid state devices and the resonant frequency of the glasses. This
locates the sound inside the glasses, and creates a sense of sound
emanating from the glasses rather than the speakers.
The more subtle sensory experience of electrical presence such as
the slight tingling as you place your hands over the glasses and
the inexplicable smell verifies the phenomenological truth of this
work, something that could only be determined by this experience
as the actual electronics are concealed from view. Siphon
is a kind of inefficient, emotional, technology - pouring in and
out of containers like a fluid exploiting that leap of faith that
occurs every time something is switched on.
Joyce Hinterding and Siphon have been brought to The Physics
Room with the assistance of the Commonwealth Government through
the Australia Council, its Arts funding and Advisory Board.
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