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          City combines 
          the influences of Japanese anime Akira, hard-edged urban fashion 
          design, and Stephen Hawkings futuristic worldview, charting a dark path 
          through the contemporary urban environment. 
           
          Rendered in the cool grey palette of the season, the painted text in 
          CITY echoes the bleak monotony of the post-industrial landscape. Whereas 
          historically it was believed possible to observe a city objectively 
          from outside of its walls, this ubiquitous urban environment is suffocating 
          in its harmonious hierarchy. CITY's synthesized narrator can 
          no longer imagine a position outside of the city from which it can be 
          viewed in its entirety, and dreams instead of its violent apocalyptic 
          destruction. The disembodied digital voice wistfully imagines a nostalgic 
          future where we are "free to choose for ourselves," inhabited 
          by a humanity of pure energy and unbridled power. In Akira this 
          vision is realised as an idyllic silent void, a techno-womb where we 
          drift endlessly amidst the superfluous rubble of the city. 
         
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